Concert Sutra Celebrates Transistor with 311

Concert Sutra Celebrates Transistor with 311

by terri sapp

Photographs by Leah Yetter

© Concert Sutra, All Rights Reserved

SA 2007

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I can remember the very day, August 7, 1997, when 311 released their most experimental album to date, Transistor.  I rushed to the local music store in Macon, Georgia (I was finishing up in college), bought a couple of copies (one of which is still in the wrapper), and cuddled up with my CD player.  I pulled the lyrics booklet out, and pushed play.  From beginning to end, I read along with the music and was blown away.  Up to this point in their recording career, we only got traces of the side of 311 that would elevate even the most focused Buddhist monk.  Transistor was the first time 311 really stepped out of the comfort of the heavier sound that dominated the first few studio albums.  I believe that the success of the blue self-titled album allowed them the freedom to create something truly original and test the waters, with the heavy grassroots following they had accrued, with styles and flows we were not used to at that point.  Transistor, in my experience, has always been the most controversial album among fans of 311.  Most either love it or try to hate on it.  I personally LOVE it!  Of course, I am the kind of 311 fan that has really never heard one note that I did not respond to from them.  I felt then and now that Transistor is a brilliant collection of songs that spotlight the versatility of the band that I most love to spend my time with.  You can imagine how happy I was when Nick Hexum announced, “Now, seeing as this is the ten year anniversary of a record we made called Transistor, we’ll play a couple songs off of it.”  At that point, I screamed…and had a glimmer of hope that they might finally play my song, “Running,” in Atlanta…after ten years of begging… Continue reading

Concert Sutra With Friends and Family at Trash Monkey Studios

Concert Sutra With Friends and Family at Trash Monkey Studios

By terri sapp

Photographs by Leah Yetter, Photographer

© Concert Sutra, All Rights Reserved

Russ and Noel

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In the past couple of months, Leah and I have had the delight of getting some time in Macon, Georgia’s Trash Monkey Recording Studio.  The local Atlanta act, Pop! On Command is currently recording there, and has been kind enough to allow the Concert Sutra girls hanging rights in the Mephisto Tape Sessions!  Owner and Proprietor, Russ Kennington offered some time for an interview as well.  This last month’s session brought a very special guest down from Atlanta, Vietnam’s Stan Satin.  Check out the following interview to hear about our fun with the boys!

To catch a glimpse of the good times, visit:  http://www.concertsutra.com/cstrashmon0107/.  Leah is back, and ready to shoot!  We are looking forward to a great year with friends and kicking live music!!!  Continue reading

Concert Sutra sizes up The Liabilities

Concert Sutra sizes up The Liabilities

by terri sapp

Photographs by Leah Yetter

© Concert Sutra, All Rights Reserved

The LiabilitiesConcert Sutra’s Photographer, Leah Yetter, lives in Macon, Georgia, a historically musical town in middle Georgia, known for many great artists as well as the Georgia Music Hall of Fame.  When deciding on our feature for this month, I asked her what was hot around Macon.  Her first response was The Liabilities!  Made up of Aaron Irons (vocals, guitars), Justin Smith (vocals, bass, cigarettes), Brandon Fickler (vocals, lead guitar), and Josh Smith (drums), these guys are making their way around and keeping busy pleasing the fans and working the crowds.  Due to scheduling conflicts, our busy multi-talented and high demand asses were unable to actually attend a show this month (what a bummer), so pictured are The Liabilities on the night of their CD release at the Hummingbird, candid and “Elph-stye (camera type),” rocking it out.  Live action all the way!  Totally inspired and off the cuff “gotta get a photo” action.  Ladies Love The Liabilities!  To check out for yourself what touches the Concert Sutra girls about The Liabilities, visit them at www.myspace.com/iamaliability.  I had the opportunity to ask lead singer and guitar player Aaron Irons some questions.  It went something like this: Continue reading

Concert Sutra catches up with Squat

Concert Sutra catches up with Squat

by terri sapp

Photographs by Leah Yetter

© Concert Sutra, All Rights Reserved

carl

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In what seems to be a very rare event these days, Leah and I both attended a show together!!!  We have been keeping a look out for something to grab us both to want to work it out, but also to settle in with both our schedules.  Apparently, with the exception of the Scared Records crew (i.e. Vietnam, the Subliminator, and Greg Connors), quality live shows (in my opinion) have been few and far between lately.  And then, it happened…I was perusing the Creative Loafing, and saw an old favorite from our days in Macon, Georgia together, jazz boys extraordinaire, Squat.  These guys have been in our music lives since we first knew each other, but the Concert Sutra never featured them.  We felt that was odd, and that we should fix that problem right away.

The last time I remember seeing Squat was during Bragg Jam a couple of years back.  I was happy to see that pleasant part of my Macon past still standing strong and playing better than ever.  Now in 2007, Trey Wright (acoustic and electric guitars, keyboards), Carl Lindberg (upright and electric bass, percussion, guitar, and vocals), Tommy Somerville (piano and keyboards, percussion, guitar, and vocals), and Darren Stanley (drums and percussion, sequencing) dazzle audiences all over with their abundant talents and overflowing charm.  On March 24, 2007, many gathered at Smith’s Olde Bar in Atlanta, Georgia for the release of the Athens/Atlanta jazz quartet Squat’s CD, “Squat.”  Continue reading

Concert Sutra talks with Greg Connors

Concert Sutra talks with Greg Connors

By terri sapp

Photographs taken by terri sapp

© Concert Sutra, All Rights Reserved

Greg Connors

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Concert Sutra:             What inspired you to become a musician?

Greg Connors:             Other people’s music moving me.  Certain songs, I believe, have kept me alive or going or ‘feeling less alone’.  Bill Taft said that of my writing once and it made me realize I was doing something right.  Writing with a musical formula can ‘come across’ to more people.  Instruments being an infinite source of potential skill honing and frustration has always appealed to me.

Concert Sutra:             When did you write your first song?  What was it?  When did it happen?

Greg Connors:             I was 6.  It was a song called ‘When I get angry I spit fire’.  My dad read it aloud as it sat on my desk in this nasally New York accent like an adult reading a children’s work and it sounded ridiculous.  It was my first lesson in how not to phrase. phrases. Continue reading

Concert Sutra Explores Vietnam

Concert Sutra Explores Vietnam

by terri sapp

photographs taken by terri sapp

© Concert Sutra, All Rights Reserved

Stan Satin

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            The buzz around Atlanta currently surrounds local Georgia legends reincarnated after many years for our pleasure, Vietnam.  From all the way back to the 1980’s, which doesn’t seem that long ago, Vietnam still rocks the stage as gracefully as ever!  Unapologetic and in your face, these folks exude the essence of what any music lover would deem ROCK AND ROLL.  The most recent lineup of Vietnam includes Stan Satin (lead vocals, saxophone), David Dean (keyboards, vocals), Zod (drums), Laurie G-Force (bass, vocals), and John Stun (guitar, vocals).  I never saw them in earlier decades, but here and now, I will see them again and again!  The Vietnam experience feels great.  The music rocks out, and the people behind it are warm and humble.  I can’t wait for my next opportunity to get some of that energy on December 16, 2006 at the Scared Records Showcase at Lenny’s in Atlanta.

            My first look at Vietnam happened on October 7, 2006 at a very unique venue in Atlanta called the Eyedrum.  When I first walked into the Eyedrum, there were some synthesizer players to my right, and a gallery containing art to my left.  The art on this particular night involved very tedious needle work with sewing needles in the shapes of pin up shaped women in different situations.  I was immediately intrigued.  Straight ahead was the area where the bands play.  It is a separate room from the many gallery areas with a stage.  Upon arrival, we met David Dean, Laurie G-Force, and Stan Satin greeting folks coming in to see them and the various art shows.  Vietnam was on fire at the Eyedrum.  You can find clips of video from this show on their band, and individual, MySpace accounts, which can all be found at http://www.myspace.com/vietnam80Continue reading

Concert Sutra Interrogates Vietnam

Concert Sutra Interrogates Vietnam

by terri sapp

photographs taken by terri sapp

© Concert Sutra, All Rights Reserved

Interview with Vietnam

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After experiencing the underground Georgia legends, Vietnam, at a couple of shows in October (which can be read about in the supporting Concert Sutra write up this month), I felt I must get Stan Satin, David Dean, David Watkins a.k.a. Zod, Laurie G-Force, and John Stun together and explore the depths of these powerhouse rockers!  In the absence of my wonderful and talented Photographer and assistant, Leah Yetter, I enlisted the help of Noel Page, formerly of Valentine Fix, and Salome’s Wish, etc., currently Pop! On Command.  Noel and I were fortunate enough to gather at the house of Davidean, where Vietnam practices on Sunday nights, for a visit, which quickly moved to a local establishment for a fabulously fun interview.  Read on for a full transcript of the festivities.  Also, don’t forget to check out my photo gallery from the last few months with Vietnam, visit the following site: http://www.concertsutra.com/06vietnam/. Continue reading

Concert Sutra on Swollen Members

Concert Sutra on Swollen Members

by terri sapp

stock photos from Swollen Members

© Concert Sutra, All Rights Reserved

Prevail

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Swollen Members:      Yo, Terri!

Concert Sutra: Hi!  I wanted to first ask you guys how you ended up together?

Swollen Members:      Swollen Members formed about nine years ago.  I met Mad Child briefly while he was living in San Francisco.  I had been living in San Diego, and was on my way back to Vancouver, and decided to stop in San Francisco just to check out the scene and see what was going on for half a day.  I walked into a shop called Extra Large, which was owned by the Beastie Boys, and Mad Child was working there.  We had known who each other were, but had never formally met back in Vancouver, so we started talking.  Struck it off pretty well…didn’t really think too too much about it, but a year and a half later I walked into a house party and he was there.  We sat down across from each other and started rapping in front of about a hundred and fifty drunk people at my homegirl’s birthday party.  We had the entire room silent, which you know it is hard enough to keep drunk people silent, let alone one hundred and fifty of them.  From that moment forward, we knew we had chemistry together.  We took a walk to the corner store together to get some gum, and by the time we got back, Swollen Members was in the studio the next week. Continue reading

Concert Sutra Going To The Church

Concert Sutra Going To The Church

By terri sapp

Photographed by terri sapp

© Concert Sutra, All Rights Reserved

Marty and Tim

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The first person we ran into when we arrived at the Variety Playhouse on August 6, 2006 (my sweet and beautiful Mama’s birthday) informed us that The Church would be going at it acoustic style on this tour.  That’s right, folks, we got the rare opportunity to have this religious experience with no Rickenbackers in sight!  I watched closely as the men around me tensed up with anxiety, but I maintained my cool, as I knew these guys would rock it out, no matter what instruments they were playing.  After close to thirty years of touring, this was my first time seeing The Church play live, but as their studio recordings always reflected, there is nothing if not pure genius running through the veins of every member of this holier than most group of musicians.

I was told by my “The Church concert veteran” (the gorgeous and talented Mr. Noel Page) that they could be expected to open the show with the first song from the band’s latest studio release.  Sure enough, “Block,” from the 2006 Uninvited Like The Clouds record, was first to make its way into every ear of this loyal congregation. Continue reading

Concert Sutra Girls Want To Join Willie Nelson’s Family

Concert Sutra Girls Want To Join Willie Nelson’s Family

Written by terri sapp

Photographed by Leah Yetter, Photographer

© Concert Sutra 2006, All Rights Reserved

Willie Nelson

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For me, the only thing missing from the Willie Nelson show on July 19, 2006 at the City Auditorium in Macon, Georgia was my Daddy!  The crowd at this concert was probably the most diverse I have ever seen.  There were children, teens, young adults, middle agers, and even grandfolk, of all shapes, colors, and sizes, all relishing in the beautiful music playing throughout the night!  We saw one lady dancing down the aisle that could have been rescued from the Titanic!  Even the mix of musicians on the stage spanned a wide range.  The opening act, Willie’s sons Lukas and Micha’s band, Harmonic Tribe, featured one of the most inviting dready boys, Marty Dread, with a fine voice, and smooth moves.  The Harmonic Tribe has three guitars, a bass, drums, congas, and the cute dready boy, Marty Dread, shaking things, along with his ass.  The main attraction, even here, though came when they were joined by Willie Nelson for a few numbers.  The standout collaboration during the Harmonic Tribe’s set was “What Happened to Peace on Earth.”  Lukas Nelson is no doubt his father’s son, and did not fall far from the tree.  His voice has a similar quality to his Dad, and his picking skills are polished and well-groomed.  Lukas’s organic talent really shines on a very bluesy “Sky Is Crying.”  Surprisingly enough, if one was expecting a “Country show” going to a Willie Nelson concert, they would be sorely disappointed, because throughout the night, I kept thinking how the music was deeply rooted in the blues and rock and roll.  Willie even threw in a little bit of gospel music!  Continue reading